Karuna. Freeform.

22:24 28th Mar 2012

Tags: adrienne rich cartographies of silence RIP poetry poem writing feminist feminism

Cartographies of Silence

1.

A conversation begins
with a lie. and each

speaker of the so-called common language feels
the ice-floe split, the drift apart

as if powerless, as if up against
a force of nature

A poem can being
with a lie. And be torn up.

A conversation has other laws
recharges itself with its own

false energy, Cannot be torn
up. Infiltrates our blood. Repeats itself.

Inscribes with its unreturning stylus
the isolation it denies.

2.

The classical music station
playing hour upon hour in the apartment

the picking up and picking up
and again picking up the telephone

The syllables uttering
the old script over and over

The loneliness of the liar
living in the formal network of the lie

twisting the dials to drown the terror
beneath the unsaid word

3.

The technology of silence
The rituals, etiquette

the blurring of terms
silence not absence

of words or music or even
raw sounds

Silence can be a plan
rigorously executed

the blueprint of a life

It is a presence
it has a history a form

Do not confuse it
with any kind of absence

4.

How calm, how inoffensive these words
begin to seem to me

though begun in grief and anger
Can I break through this film of the abstract

without wounding myself or you
there is enough pain here

This is why the classical of the jazz music station plays?
to give a ground of meaning to our pain?

5.

The silence strips bare:
In Dreyer’s Passion of Joan

Falconetti’s face, hair shorn, a great geography
mutely surveyed by the camera

If there were a poetry where this could happen
not as blank space or as words

stretched like skin over meaningsof a night through which two people
have talked till dawn.

6.

The scream
of an illegitimate voice

It has ceased to hear itself, therefore
it asks itself

How do I exist?

This was the silence I wanted to break in you
I had questions but you would not answer

I had answers but you could not use them
The is useless to you and perhaps to others

7.

It was an old theme even for me:
Language cannot do everything-

chalk it on the walls where the dead poets
lie in their mausoleums

If at the will of the poet the poem
could turn into a thing

a granite flank laid bare, a lifted head
alight with dew

If it could simply look you in the face
with naked eyeballs, not letting you turn

till you, and I who long to make this thing,
were finally clarified together in its stare

8.

No. Let me have this dust,
these pale clouds dourly lingering, these words

moving with ferocious accuracy
like the blind child’s fingers

or the newborn infant’s mouth
violent with hunger

No one can give me, I have long ago
taken this method

whether of bran pouring from the loose-woven sack
or of the bunsen-flame turned low and blue

If from time to time I envy
the pure annunciation to the eye

the visio beatifica
if from time to time I long to turn

like the Eleusinian hierophant
holding up a single ear of grain

for the return to the concrete and everlasting world
what in fact I keep choosing

are these words, these whispers, conversations
from which time after time the truth breaks moist and green.

Adrienne Rich

10:23 9th Nov 2011

Notes: 513

Reblogged from jonubian

Tags: icons feminist egypt Nawal El Saadawi photos

jonubian:

Nawal El Saadawi. Feminist.

afrikanwomen:

Nawal El Saadawi is an Egyptian feminist writer, activist, physician and psychiatrist. She has written many books on the subject of women in Islam, paying particular attention to the practice of female genital mutilation in her society.

In 1972 she published Al-Mar’a wa Al-Jins (Woman and Sex), confronting and contextualising various aggressions perpetrated against women’s bodies, including female circumcision, which became a foundational text of second-wave feminism. As a consequence of the book as well as her political activities, Saadawi was dismissed from her position at the Ministry of Health.

From 1979 to 1980 she was the United Nations Advisor for the Women’s Programme in Africa and the Middle East.

Long viewed as controversial and dangerous by the Egyptian government, Saadawi was imprisoned in September 1981, along with many other objectors to the Jerusalem Peace Treaty, by President Anwar al-Sadat. She was released later that year, one month after his assassination. Of her experience she wrote: “Danger has been a part of my life ever since I picked up a pen and wrote. Nothing is more perilous than truth in a world that lies.”

In 1988, when her life was threatened by Islamists and political persecution, Saadawi was forced to flee Egypt. She accepted an offer to teach at Duke University’s Asian and African Languages Department. In 1996, she moved back to Egypt.

She has continued her activism and considered running in the 2005 Egyptian presidential election, before stepping out due to stringent requirements for first-time candidates.

She was among the protesters in Tahrir Square in 2011. She has called for the abolition of religious instruction in the Egyptian schools.